And here's Number Three, I call this one the 'Butt Strad', because of its prominent posterior! I mean, look at that...
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Normal violin profile (the 'Orange Strad') | The 'Butt Strad'! |
This violin was originally made sometime in the late 1800's in Schönbach, and it was crap. Ironically, after I messed with it, this one is the one I'm most pleased with, even with its quirks.
It had a horrible horizontal grain-failure crack on the back (butt crack? heheheheh!), that required a patch. And because of the weirdness of the grain on that area, it absorbed the pigments in an unexpected way, so instead of a beautiful invisible repair we got an ugly smudge, but oh well! The sound totally makes up for it!
This violin has a powerful sound, it's clear and rich, and has amazing low register. Here's my teacher Amy playing it, because she knows how to make it sound its best:
http://www.sculptyworks.com/Images/Forums/Blog/Meditation_from_Thais_Butt_Strad.mp3And another one of a piece she composed herself, because the sound of this one is really good and I want to show off!
http://www.sculptyworks.com/Images/Forums/Blog/Amys_Piece_Butt_Strad.mp3Aside from patching and closing cracks, I re-did the graduations on the top of this violin, which was terrible, but interestingly the back was extremely well done, aside from its weird bulge on the lower bout. My previous two, I did the graduations according to what some researchers believe is what gives ancient Italian violins their legendary tone. This one I blatantly copied what Stradivari did to one of his violins. I guess old man Strad still knows best!
This might actually be one of my favorite violins to play, because it feels just right, and the sound is so nice, though it is
loud! It can leave my ears ringing after a long session of playing in
fortissimo.
I had plans to replace the fingerboard, this one it currently has is made of some lower grade of ebony that has been painted over to look evenly black. But I didn't want to do it until I knew if the sound of the violin was going to be worthwhile, and now that I love the way it sounds I'm afraid of changing anything on it in case I mess up the way it sounds - yes, violins are that fickle! Change one little thing and you can ruin it!